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Curator

This German Watchmaker Proves That Less Can Be More

Two of A. Lange & Söhne's recent releases strike the perfect balance between technical innovation and elegant aesthetics.

October 20, 2026 By CHARLES CURKIN
The movement of the Lange 1 Tourbillon Perpetual Calendar “Lumen” can be seen through the dial as well as the caseback. Photo: courtesy A. Lange & Söhne; alange-soehne.com

This article is featured in our Fall 2026 print issue, available now.

In much of modern watchmaking, the central tension is no longer size, but intent: how far a watch should go in expressing mechanical muscle and complexity before it loses clarity. A. Lange & Söhne has generally stayed on the restrained side of that line. Founded in 1845 in Glashütte, Germany, the company disappeared after World War II when East Germany nationalized its watch industry, and was revived in 1990 by Walter Lange following reunification. Since its modern rebirth, Lange has been defined less by novelty than by proportion and restraint. “Clarity is our home turf,” says Tino Bobe, Lange’s director of manufacturing. “We come from a very pure, understated angle.”

That philosophy is typified in two of its most recent releases: the platinum Lange 1 Tourbillon Perpetual Calendar “Lumen” and the new Saxonia Annual Calendar. They sit at opposite ends of the brand’s spectrum and together offer a concise view of what Lange now represents. Both watches are built around the calendar, one of haute horology’s most demanding practical domains, but they approach it in entirely different ways. As Bobe puts it: “Pureness is not a lack of innovation or ideas.”

This Lange 1 represents the outer edge of the brand’s technical ambition. Limited to 50 pieces and housed in a 41.9mm platinum case, it combines a tourbillon with stop-seconds, a perpetual calendar (i.e., no need to adjust for the leap year), moon-phase display, and the outsize date that is one of Lange’s defining elements. A semi-transparent dial reveals portions of the mechanism beneath, while luminous material applied to the display allows the watch to remain legible in the dark.

The Saxonia Annual Calendar comes in white and pink gold versions and incorporates a moon-phase display with a new self-winding movement. Photo: courtesy A. Lange & Söhne

“We had the idea that if we used a semi-transparent dial, we could improve legibility with luminous discs,” Bobe says. “If you look at the watch from a distance, you see a gray dial. If you get closer, you can see through it. It’s the right way to be understated while still allowing the owner to see the movement.”

If the Lange 1 represents expression pushed to its limit, the new Saxonia Annual Calendar moves in the opposite direction. It is a quieter, smaller watch. Housed in a 36mm case in white or pink gold (750 pieces were made in each material), it introduces a self-winding movement that combines an annual calendar, moon phase, and outsize date. Unlike a perpetual calendar, it requires adjustment once a year at the end of February.

What stands out about the Saxonia is its restraint. At a moment when much of the luxury watch industry continues to favor gimmicky collabs and busy dials, the Saxonia takes a different position. It’s a functional object first. Bobe notes that practicality has long guided the company’s approach to complications. “The goal has always been usefulness, going back to the original Lange 1 and its outsize date,” he says. “These complications aren’t easy to create, but ultimately they’re very useful.”

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